Defiant, humorous, empathetic and insightful, 'Not Quite Right For Us' pierces through the hierarchical mechanics of class, race, gender. A celebration of outsiderness and an ode to otherness, 'Not Quite Right For Us' is a singular collection of stories, essays and poems by a dynamic mix of established and surging voices alike, edited by Sharmilla Beezmohun and including Linton Kwesi Johnson, Aminatta Forna, Xiaolu Guo, Johny Pitts, Rishi Dastidar, Tim Wells and Rafeef Ziadah. This remarkable anthology marks the tenth anniversary of the live-literature organisation co-founded by Sharmilla, Speaking Volumes. Part cri du coeur, part warning shot, part affirmation, this is the book we need now.

'Key to understanding black British history' - Sunday Times 'Sharp and still relevant' - Zadie Smith Recognized as one of the great poets of modern times, and as a deeply respected and influential political and cultural activist and social critic, Linton Kwesi Johnson is also a prolific writer of non-fiction. In Time Come, he selects some of his most powerful prose – book and record reviews published in newspapers and magazines, lectures, obituaries and speeches – for the first time. Written over many decades, it is a body of work that draws creatively and critically on Johnson’s own Jamaican roots and on Caribbean history to explore the politics of race that continue to inform the Black British experience. Ranging from reflections on the place of music in Caribbean and Black British culture as a creative, defiant response to oppression, to his penetrating appraisals of music and literature, and including warm tributes paid to the activists and artists who inspired him to find his own voice as a poet and compelled him to contribute to the struggle for racial equality and social justice, Time Come is a panorama of an exceptional life. A collection that ventures into memoir, it underscores Johnson’s enduring importance in Britain’s cultural history and reminds us of his brilliant, unparalleled legacy. With an introduction by Paul Gilroy, author of There Ain't No Black in the Union Jack 'A mosaic of wise, urgent and moving pieces' - Kit de Waal 'As necessary as ever' - The Observer 'A book to be savoured and re-read' - Derek Owusu 'An outstanding collection' - Caryl Phillips 'A necessary book from a writer who continues to inspire' - Yomi Sode 'Incisive, engaging, fearless' - Gary Younge

Now including an afterword and new poems by the author and an introduction by Gary Younge Pioneering poet Linton Kwesi Johnson has revolutionized English literature with his electrifying fusion of oral verse, Jamaican speech, radical politics and reggae rhythms. This new edition of a vital selection of poems covers over four decades and includes classic early poems such as 'Inglan is a Bitch', 'New Craas Massakah' and 'Sonny's Lettah', as well as compelling recent work. 'Linton Kwesi Johnson's impact on the cultural landscape over the last half-century has been colossal and multi-generational . . . His political ferocity and his tireless scrutiny of history are truly Pinteresque, as is the humour with which he pursues them' Guardian 'A warrior wordsmith whose couplets take no prisoners' The Times 'Linton Kwesi Johnson's body of work - the sheer length, breadth, depth, politics, performance, rhyme and reason of it - bears witness to a lifetime of lending lyrical form to a condition that Britain has proved unable or unwilling (or both) to name' Gary Younge

Roger Steffens toured with Bob Marley for two weeks of his final tour of California in 1979 and the music icon was the first guest of Steffens' award-winning radio show. In So Much Things To Say, Steffens draws on a lifetime of scholarship to tell the story of Marley's childhood abandonment, his formative years in Trench Town, his seemingly meteoric rise to international fame and his tragic death at 36. Weaving together the voices of Rita Marley, Peter Tosh and Bunny Wailer-as well as band members, family and friends-Steffens reveals extraordinary new details, dispels myths and highlights the most dramatic elements of Marley's life; his psychic abilities and his overriding commitment to the peace and love message of Rastafari. This landmark work will reshape our understanding of this legendary performer.

This is dub poetry: bold and musical, funny and furious. This collection brings together the work of nine inventive and brilliant poets who defined and drove the dub poetry genre. From the Caribbean, Canada and the UK, the poetry in this collection spans forty years, as dub became a powerful cultural and creative force. With roots in the reggae culture of 1970s Kingston, dub poetry uses the vivid expressions of everyday spoken language to describe and challenge the experience of life on the margins. Early dub poetry took on police violence, slums and poverty. Later, as Caribbean migrants arrived in countries like Britain and Canada, dub poets faced new issues: racism, discrimination and hostility. Over four difficult decades, dub gave marginalised people a voice for their anger, defiance and creativity. It was the soundtrack to post-Windrush culture. Serious and humorous, alive and urgent, here is the very best of dub poetry. The poets included in this collection are: Oku Onuora, Mikey Smith, Mutabaruka, Jean 'Binta' Breeze, James Berry, Benjamin Zephaniah, Ahdri Zhina Mandiela, Lillian Allen and Afua Cooper.

Roger Steffens toured with Bob Marley for two weeks of his final tour of California in 1979 and the music icon was the first guest of Steffens' award-winning radio show. In So Much Things To Say, Steffens draws on a lifetime of scholarship to tell the story of Marley's childhood abandonment, his formative years in Trench Town, his seemingly meteoric rise to international fame and his tragic death at 36. Weaving together the voices of Rita Marley, Peter Tosh and Bunny Wailer-as well as band members, family and friends-Steffens reveals extraordinary new details, dispels myths and highlights the most dramatic elements of Marley's life; his psychic abilities and his overriding commitment to the peace and love message of Rastafari. This landmark work will reshape our understanding of this legendary performer.

A selection of Linton Kwesi Johnson's best poems over three decades. Ranging from protests against police brutality to eulogies for departed friends and playful celebrations of urban life, Johnson's use of Jamaican dialect to tackle distinctly British subjects contributed to a revolution in the notion of literary English. This Selected Poems charts the unique literary talent of one of Britain's most influential poets and social critics.

"The man writes some of the most moving poetry to be found in popular music."-David Bowie in Vanity Fair

"His observations are the rich fruits of both a lyrical childhood on a Jamaican farm, and his bottled anger on the streets of London. During his teenage years in Brixton, Johnson witnessed serial episodes of racial abuse and joined the Black Panthers movement in protest. There, he learned his history and culture, but found his own outlet."-Caroline Frost, BBC Four

Linton Kwesi Johnson is the most influential black poet in Britain. The author of five previous collections of poetry and numerous record albums, he is known worldwide for his fusion of lyrical verse and reggae. Much of his work is written in the street Creole of the Caribbean communities in which he grew up in England. Mi Revalueshanary Fren includes all of his best-known poems, which concern racism and politics, personal experience, philosophy, and the art of music, among other things.

Contains a full-length CD of Johnson reading.